She was 85 years old when she died today–a grand and brassy lady who could be a dame or a vamp, a frump or an object of lust.
The actress sustained her long career by repeatedly reinventing herself. Starting as a nightclub chorus girl, she advanced to supporting roles in New York plays, then became famous as a Hollywood sexpot. A devotee of the Actors Studio, she switched to serious roles as she matured, and she won her Oscars portraying mothers. Still working well into her 70s, she had a recurring role as Roseanne’s grandmother on the 1990s TV show “Roseanne.”
In 1959’s “The Diary of Anne Frank,” she was Petronella Van Daan, mother of Peter Van Daan and one of eight real-life Jewish refugees in World War II Holland who hid for more than a year in cramped quarters until they were betrayed and sent to Nazi death camps. The socially conscious Winters donated her Oscar statuette to the Anne Frank House in Amsterdam.
In 1965’s “Patch of Blue,” she portrayed a hateful, foul-mouthed mother who tries to keep her blind daughter, who is white, apart from the kind black man who has befriended her.
Ever vocal on social and political matters, Winters was a favored guest on television talk shows, and she demonstrated her frankness in two autobiographies: “Shelley, Also Known as Shirley” (1980) and “Shelley II: The Middle of My Century” (1989).
… “A Place in the Sun” in 1951 brought her first Oscar nomination and established her as a serious actress. She desperately sought the role of the pregnant factory girl drowned by Montgomery Clift so he could marry Elizabeth Taylor. The director, George Stevens, rejected her at first for being too sexy.
“So I scrubbed off all my makeup, pulled my hair back and sat next to him at the Hollywood Athletic Club without his even recognizing me because I looked so plain. That got me the part,” she recalled in a 1962 interview.
She received her final Oscar nomination, for 1972’s “The Poseidon Adventure,” in which she was one of a handful of passengers scrambling desperately to survive aboard an ocean liner turned upside down by a tidal wave. By then she had put on a good deal of weight, and following a scene in which her character must swim frantically she charmed audiences with the line: “In the water I’m a very skinny lady.”
… Robert Mitchum once told her: “Shelley, arguing with you is like trying to hold a conversation with a swarm of bumblebees.”
